KITCHEN TALK 2025

In observance of the 2025 Thanksgiving and Christmas holidays, the BND Institute of Media and Culture is proud to recognize the life and legacy of renowned chef and cookbook author Edna Lewis. Since 2018, the BNDIMC has paid homage to Ms. Lewis’ gift and work through its annual Kitchen Talk series. Only in recent years has Ms. Lewis’ talent in developing recipes and menus and cooking mouth-watering meals —from a farm in Freetown, Va. to the bright lights of New York City and beyond — been acknowledged by wider audiences. We are thrilled to continue telling her story. Bon appétit!

Preserving the legacy of Edna Lewis is a ‘charge to keep’

The 2025 Family Reunion, hosted by Kwame Onwuachi at Salamander Resort in Middleburg, Va. last August, included author and documentary filmmaker Deb Freeman (left holding platter during a family-style luncheon). Freeman delivered remarks for a panel discussion about renowned culinary chef Edna Lewis (right). Photo of Deb Freeman by Clay Williams.

By Debora Timms

Black women have been an integral part of American food culture without the visibility and acknowledgment of being credited for it. This fact was explored during “Edna Lewis and the Legacy of a Black Woman Chef,” a roundtable discussion on Aug. 16 as part of the Salamander Resort’s Fifth Annual Family Reunion in Middleburg, Va.

Born in 1916 in Freetown, a rural Virginia community founded by formerly enslaved people, including her paternal grandfather Chester Lewis, the young Edna Lewis’s family taught her how to cook with food that was locally available. She left the farm for New York as a teenager, and would go on to become a trailblazer.

At a time when Black female chefs were rare, Lewis became the chef and partner in New York’s celebrated Cafe Nicholson in 1949, then went on to cook in other elite restaurants in the years that followed. By presenting the food and traditions of her childhood with simplicity using beautifully fresh, in-season ingredients, she redefined Southern cuisine and became an early pioneer of the “farm-to-table” movement that later exploded into a mainstream phenomenon in the 2000s.

“Edna Lewis and the Legacy of a Black Woman Chef,” was part of the The 2025 Family Reunion, hosted by Kwame Onwuachi at Salamander Resort in Middleburg, Va. in August. Cheryl Slocum (second from left), a James Beard award-winning writer and editor for Food & Wine magazine, moderated the discussion, which included culinary historian and cookbook author Dr. Jessica B. Harris (middle), as well as chefs Carla Hall (far right) and restaurateur Mashama Bailey (second from right. Photo by Bonnie Newman Davis.

Freeman is a writer and host of the podcast, “Setting the Table,” as well as executive producer of the award-winning PBS documentary, “Finding Edna Lewis,” which explores the life of the late chef and cookbook author. Freeman, who alos was born in Virgnia, provided an introduction  and overview of the acclaimed chef’s life at Salamander last summer.

Southern food often has suffered a bad rap, she said in a recent interview with the BND Institute of Media and Culture.

“Edna Lewis turned that on its ear,” she said. “She got people talking about Virginia food and until then, it was often left out of the American conversation.”

The partnership at Cafe Nicholson certainly profited from Lewis’ talent and cooking skills by promoting her food, but not her. While she may have been instrumental in bringing Virginia into the culinary conversation, Lewis herself remained in the shadows.

During the Salamander panel discussion, moderator Cheryl Slocum, a James Beard award-winning writer and editor for Food & Wine magazine, asked author and culinary historian, Dr. Jessica B. Harris, as well as chefs Mashama Bailey and Carla Hall about their knowledge of Lewis. None could say they grew up knowing her as a household name, and it wasn’t until they started searching that they became aware of her. This even though the second of her four cookbooks, “The Taste of Country Cooking,” is considered a classic.

“I mean, I went to a French culinary school where Black women, Black people were not the focus,” Hall said. “You have to really dig and be intentional about finding them.”

Harris referenced an old Methodist hymn in declaring the responsibility to carry Lewis’ legacy forward “a charge to keep.” That intentionality is something each of the participants said they strive to give voice to in their lives.

Bailey does so as the award-winning executive chef and partner in The Grey, her restaurant in Historic Downtown Savannah, Ga., where female culinary influences such as her mother and Lewis inspire her cooking, and as chairwoman of the board at the Edna Lewis Foundation which works to honor and extend Lewis‘ legacy by creating opportunities for African Americans in agriculture, culinary studies and storytelling.

Other recognition has come since Lewis died in 2006.

Lewis was named an African American Trailblazer by the Library of Virginia in 2009, and was depicted on a U.S. postage stamp in 2014. In addition, the Virginia Department of Historic Resources unveiled a historic marker near her hometown in 2024.

However, Hall noted the need to be “be out there making her a topic of conversation.”

During her phone interview, Freeman addressed why these types of conversations are critical.

“So much of our history is oral, not written. Once it’s gone, it’s gone,” she shared.

For the past decade Freeman has used her writing and her podcast to explore Black foodways and the intersections of race, culture and food.

“Our ancestors had their language and their names stripped from them, but their legacy of food remains,” she continued, adding that this legacy is made up of the cooking techniques, seasonings and spices that create a direct link to the West African heritage of the past.

“If we are not documenting it and taking note, we’re doing a disservice to that ancestral past, but also to our more immediate family, our parents and grandparents.”

Freeman added that while it is heartening to see increasing numbers of Black writers and archivists, but stressed that more are needed because the work is “very difficult when there are not names and written documents to connect the dots.” Lewis’ legacy comes alive in these chefs and storytellers. But it also lives in every kitchen and every story that connects food to identity. Her work serves as a guide and a challenge – to cook with simplicity, to use beautiful food, to celebrate community and to honor those who laid the foundations. By doing so, the vision

Bryant Terry’s VCU Libraries fall lecture offers “Food For All”

Bryant Terry Photo by Jay Paul

VCU Libraries’ fall lecture, “Food for All” on Oct. 15 with Bryant Terry was a thrilling culinary journey! Bryant, a James Beard Award-winning chef, served up a delectable blend of food, culture, Black history, art, humor, and music. His new book, “Black Food,” promises a flavorful exploration of stories, art, and recipes from the African Diaspora. Huge thanks to Irene Herold, Teresa Knott, Antonia Vassar, Kelly Gotschalk, and Sue Robinson for organizing this thought-provoking lecture. Learn more about Bryant’s lecture below.

2025 Fall Lecture puts activism, art and food justice center stage

By Frances Burson

VCU Libraries’ annual Fall Lecture, Food For All, held Oct. 15, featured chef, author and artist Bryant Terry. Terry took us on a journey through his 25-year multidisciplinary career, blending food justice, publishing, art and activism—all rooted in deep values of interconnection, social justice and community engagement. He shared how his recent MFA from UC Berkeley helped integrate his diverse work into a cohesive studio practice, allowing him to experiment across mediums such as sculpture, sound and mixed media.

His work is deeply influenced by Zen Buddhism, cultural memory and movements like the Black Panther Party, which he referenced as foundational to his food justice activism. Terry shared in detail how projects like Razed Bed #2 and The Table and the Larder transform everyday materials and traditional food practices into living works of art that honor Black resilience and history. 

The talk concluded with a “Recipe for Staying Curious,” a poetic and reflective framework that likened creativity to cooking, requiring preparation, risk, care and improvisation. It was a call to stay open, ask hard questions, and let both failure and joy shape the work. 

At a lunch with public health students and librarians earlier in the day, Terry explored the challenges of eating local, sustainably raised food, retaining food culture after immigration, the global infiltration of highly processed foods, and the impact of food on aging, health, and disease management.

Terry is the author of five cookbooks, including Vegetable Kingdom and Afro-Vegan, and editor of Black Food and The Best American Food and Travel Writing 2025. From 2015 to 2022, he served as the inaugural Chef-in-Residence at San Francisco’s Museum of the African Diaspora, curating dynamic programming connecting food, health, farming, and art. Most recently, he completed an MFA in Art Practice at the University of California at Berkeley in 2025 and was awarded a prestigious Graduate Fellowship at Headlands Center for the Arts for 2025–2026. 

Weinstein Author Series – Michael W. Twitty | Recipes From the American South

Courtesy, Library of Virginia

Join us for a conversation between culinary historian Leni Sorensen and award-winning author and culinary historian Michael W. Twitty on Twitty’s new book, “Recipes From the American South.” Building on the foundation of his James Beard Award–winning memoir, “The Cooking Gene,” Twitty once again brings his unparalleled scholarship, lived experience and eloquent storytelling to his exploration of the South. He showcases the complexity of the food traditions influenced by European, Indigenous, African and immigrant communities. With more than 260 recipes, Twitty offers a broad view of the culinary sweep of Southern history and its many cultures, bringing to life everything from timeless classics to lesser-known regional specialties. “Recipes From the American South” celebrates Southern food’s memory keepers and practitioners.

Leni Sorensen has worked as a university lecturer, museum consultant, hands-on presenter and researcher with a focus on African American slavery, American agriculture, and women’s work in colonial and post-colonial America. She retired as the African American research historian at Monticello, and continues to lecture, consult and write on issues of food history while teaching home provisioning and rural life skills from her home in western Albemarle County. 

REGISTER FOR THIS EVENT

The Carole Weinstein Author Series supports the literary arts by bringing both new and well-known authors to the Library of Virginia through online or in-person events. Free and open to the public, the series focuses on Virginia authors and Virginia subjects across all genres.

A book signing will follow the talk. This book will be available at the Virginia Shop.

This is a free event, but registration is required. Seating in the Lecture Hall is available on a first come, first served basis. Limited free parking is available in the deck underneath the Library building. For more information, contact education@lva.virginia.gov.Calendar: LVA EventsDate:Tuesday, October 28, 2025 Time: 6:00 pm – 7:30 pm; Location:Lecture HallAudience:

National Black Book Festival coming to Houston

Authors, publishers and readers alike will have the chance to come together and celebrate their love of the written word during the 18th annual National Black Book Festival scheduled to take place from Oct. 23-25 in Houston.

Sponsored by Cushcity.com, an online site launched more than 25 years ago by Willie and Gwen Richardson to market and promote African American authors and literature, this year’s festival will bring more than 100 participating authors and publishers grouped into 23 different genres to Fallbrook Church – Brook Sports Facility at 12512 Walters Rd. in Northwest Houston.

General admission is free to the public and allows them to explore diverse offerings from exhibiting authors and a variety of seminars and workshops throughout the weekend. Bookworms will have plenty of choice with just some of the covered genres including everything  from sci-fi/fantasy, romance, thrillers, poetry and horror to history, faith, biography, memoirs and self-help books. 

There are a number of children’s book authors exhibiting throughout the weekend as well, with a special free Children’s Festival taking place from 11 a.m. to 2 p.m. on Saturday, Oct. 25. This event is also free and open to the public. There will be books, games, prizes and activities and all children who attend it will receive a free book.

Saturday will also have several book discussions and signings by this year’s featured authors:

  • Actor, Director, Producer and Author Eriq La Salle
  • Author and White House Correspondent April Ryan
  • Best-Selling Author, Screenwriter and Film Producer Kiki Swinson
  • Best-Selling Mystery/Thriller Author Rachel Howzell Hall
  • Best-Selling Mystery/Thriller Author Brandon Massey
  • Best-Selling Romance Author Brenda Jackson
  • Best-Selling Historical Romance Author Beverly Jenkins

In addition to the free programming there are three ticketed events also taking place – a welcome reception to officially begin the festival on Thursday evening, and breakfasts happening on both Friday and Saturday that will allow opportunities to get acquainted and network.

For authors/vendors who may want to participate in this year’s festival as exhibitors, there are still a limited number of places available.

For information on schedules, registrations, ticketing and more visit https://www.nationalblackbookfestival.com/

‘Cool Fire: A Black Man’s Poetic Odyssey’

Robert L. Dortch’s debut collection of poetry and photography explores being a Black man in America, amid themes of identity, love, justice, and resilience

Robert L. Dortch Jr. recites a poem from his new book, “Cool Fire: A Black Man’s Poetic Odyssey,
on June 19, 2025 at Richmond’s historic Hippdrome Theater in Jackson Ward.

The Juneteenth book launch for Robert L. Dortch Jr.’s “Cool Fire: A Black Man’s Poetic Odyssey” was a resounding success!  Presented on June 19, 2025, at the Speakeasy Grill @ The Hippodrome in Richmond, Virginia, the event was a celebration of Dortch’s debut collection, which intricately weaves poetry and photography to explore the multifaceted experience of being a Black man in America.

The evening, presented by the Shockoe Institute, was a vibrant tapestry of art and conversation, featuring live poetry readings and a “Cool Fire Conversation” between Dortch and award-winning author Stacy Hawkins Adams. The event was further enlivened by a special performance from the celebrated musician and theater icon Desirée Roots, whose soulful melodies resonated with the themes of identity, resilience, and hope that permeate Dortch’s work.

“Cool Fire” is more than just a collection of poems; it is a profound exploration of identity, healing, and legacy. Dortch’s work invites readers to reflect on their own experiences and the broader societal context, offering a poetic path forward in challenging times. His poem “When Will Tomorrow Come: for Langston Hughes” poignantly captures the longing for a brighter future, echoing the timeless voices of the Harlem Renaissance.

The event was a testament to Dortch’s ability to connect personal stories with universal themes, encouraging a deep contemplation of humanity and the enduring impact of history. As Marland Buckner, President & CEO of the Shockoe Institute, aptly noted, “Dortch’s voice is a significant addition to America’s literary landscape, offering clarity and insight into the unique dimensions of Black American masculinity.”

“Thank you to everyone who made the Juneteenth book launch of ‘Cool Fire: A Black Man’s Poetic Odyssey’ at The Hippodrome Theater a success,” Dortch said a day after the event. “Last night, in the spirit of the Harlem Renaissance, we celebrated ‘An Evening of Cool Fire’. It’s almost 100 years since Langston Hughes authored his first book “Weary Blues.” In that spirit, ‘Cool Fire’ integrates poetry and photography to take readers on a poetic journey of what it means to be a Black man.”

Accolades also came from others who were part of the celebration.                                     

“What an amazing few hours of being reminded of the power of words, and the power in embracing the vulnerability it takes to produce art that serves a great purpose,” said Adams, the author of more than a dozen books, who led conversations with Dortch, Buckner and author Gigi Armteau about his new work. “May Cool Fire open doors to doors to deeper introspection and healing discussions for all who read.”

Legacy sponsors for the evening included the Massie Law Firm, the BND Institute of Media and Culture Inc., and Rainmaker Industries Group.

Tracey G. Wiley, CEO of Rainmaker, said she is an avid fan of poetry and Harlem Renaissance writers, particular Langston Hughes, for whom Dortch pays homage in his book.

“The art of poetry allows us an array of emotions wrapped in rhythm, colorful scenes and black and white realities of life, love and pain,” said Wiley. “My company, Rainmaker Industries Group, LLC, is proud to be an investor in one our own native sons of Richmond, author, artist, and literary genius, Robert L. Jr. Dortch during the launch of his second book, ‘Cool Fire: A Black Man’s Poetic Odyssey’. Robert’s book is symbolically aligned with Juneteenth and our quest for liberation at a time such as this. I encourage everyone to get a copy of  ‘Cool Fire’ and spend time journeying through our collective and shared communities.”

Bonnie Newman Davis, executive director of the BND Institute of Media and Culture, echoed Wiley. The “Cool Fire” book launch was the BND Institute’s third collaboration with Dortch and his JS Literary House.

“The launch of “Cool Fire” is a heartfelt reminder of the power of art to inspire reflection and honor our shared humanity,” said Davis, adding how much she enjoyed the evening’s strong sense of community. “Robert L. Dortch Jr.’s work stands as a beacon of hope and resilience, urging us to embrace our truths and triumph over adversity.”

“Cool Fire: A Black Man’s Poetic Odyssey,” is now available at Books-A-Million, Barnes & Noble, Amazon, and other retailers.

For more information, please visit www.thecoolfire.com or contact bonnienewmandavis@gmail.com

A tribute to Nikki Giovanni

Virginia Festival of the Book Presents: A Tribute to Nikki Giovanni: Celebrating a Legacy through Poetry, Music, and Dance

The legendary poet Nikki Giovanni’s impact extends beyond the world of poetry. As an activist and educator, Nikki left an indelible mark on the world.

Virginia Humanities’ Virginia Center for the Book will proudly honor her legacy with an evening of dance, music, poetry, and prose—some of Nikki’s favorite things—in a special Virginia Festival of the Book event featuring authors Jericho Brown, Rita Dove, Tayari Jones, and Remica Bingham-Risher, as well as the Leah Glenn Dance Theatre and other performers, authors, and musicians, in a program under the guiding vision of Furious Flower Poetry Center founder Joanne Gabbin, and the artistic direction of local theater-maker Constance Swain.

A voice of power and grace, she ignited minds with her poetry. A champion of civil rights and Black arts, she wove words of truth, love, and resilience. Nikki Giovanni’s legacy inspires generations to embrace their voices and fight for a more just world.

This event is SOLD OUT.


Untangling the Publishing Process

Courtesy, Virginia Humanities Center for the Book

Whether you’re fascinated by bookbinding, curious about publishing, or just passionate about books, these events cover all the chapters in a book’s life. Celebrating the artistry and industry behind publishing, the 2025 Virginia Festival of the Book offers a rare opportunity to learn from experts, engage in hands-on activities, and gain a new appreciation for the craftsmanship and processes behind every book on your shelf. Be sure to explore these unforgettable events celebrating the art and business of books!

Navigating the publishing world can be daunting, but author Kalela Williams is here to help. In this session, the Director of the Virginia Center for the Book will break down the differences between self-publishing and traditional publishing, offering insight into working with agents, editors, and publicists. Williams, whose debut YA novel Tangleroot was named a Kirkus Reviews Best Book of 2024, will share her own experiences—the highs and lows—of getting published. Attendees will also have the opportunity to participate in a brief query-letter writing activity, making this a practical session for those looking to break into the industry.

Join in on the untangling on March 21st at 11 a.m. in Omni Salon C

More information:

“Truth Tellers: The Power and Presence of Black Women Journalists” Feb. 26 book discussion reaches far and wide

By Bonnie Newman Davis

“The media has been in decline for a quarter of a century now.” Dana Milbank, MSNBC, Feb. 28, 2025

Spot on. And exactly what I stated when discussing my book two nights ago at Fairfield Library. Because my audience included some amazing scribes, storytellers, community advocates/activists, historians and world travelers, our conversation was far-reaching and wide-ranging. One audience member, hoping to pivot from her social work profession to journalism, sought advice on how to accomplish her goal. Diane Walker, a retired Richmond news anchor and investigative reporter, encouraged her to seek out reporters and others who can help her pitch, shape or sell her stories or story ideas. (Diane is one of the 24 women who is featured in my book, “Truth Tellers: The Power and Presence of Black Women Journalists Since 1960.)

I agreed with Diane, and added that in today’s media climate, the social work professional should also consider starting her own digital publication or newsletter. “Technology is on our side,” I said. I then recalled how I wanted to purchase a Richmond publication about 20 years ago. It was The Good News Herald published by the late Cleomine Lewis. The paper lived up to its name, and I was always fascinated by how Ms. Lewis single-handedly ran the paper, which was mainly available in Richmond’s Black churches. Ms. Lewis died in 2004, according to a Chiles Funeral home obituary. Back then we did not have a smidgen of the technology that we now take for granted.

Here is what one attendee shared after the book talk:

“Hey Bonnie!! I didn’t want another day to go by without sharing how extraordinary your program was on yesterday! Bonnie, the wisdom that you, Diane and others shared, transcended time and journalism! I would love to see a monthly meeting like that one! We all felt so blessed to be in the presence of greatness!!! Thank you!!!”

Next up I will discuss my book at Second Baptist Church-Idlewood for Women’s History Month. Stay tuned for the date and time. And you to my loyal tribe of “Truth Tellers” supporters! ❤️🙏🏾😘

Wakeshi ‘Scott’ Benson

Awesome! Keep up the outstanding work Bonnie Newman Davis👏🏽👏🏽

Comment as Bonnie Newman Davis

Black Media Futures

The current state and future prospects of Black media will be the focus of Black Media Initiative’s Black Media Futures conference on Tuesday, March 11, 2025. The virtual conference from 1 p.m-5 p.m is in celebration of the 198th birthday of the Black press.

Sessions will include:

1:00 – 2:00: Black Media in the Age of Trump featuring April Ryan: This keynote will feature insights on covering this administration, and the vital role that Black media plays in informing and empowering the Black community. 


2:05 – 3:05: Archiving Black Media: This session will explore how Black media have created and managed their archives. A panel of experts will discuss how they built and organized their archives, how they monetize them, and some of their favorite stories or images from the archives. This Q & A is a follow up to this previous event.


 3:10 – 4:10: Black Narrative Power – Honoring our Past to Face the Future: This workshop will challenge participants to examine the role of Black media makers in this moment and identify opportunities for Black media to coordinate for the betterment of Black America and society at large.


4:15 – 4:45: Networking Session: This session is designed to foster connections and collaborations between Black media leaders. REGISTERThe event will be held online using Zoom. Please follow the instructions you receive  after registering. Email CCM if you do not receive a confirmation message or if you have any questions.

About the Black Media Initiative: The Black Media Initiative is a national capacity building initiative for Black owned and controlled media. Its aim is to support Black media by providing research, training and connections. We are a part of the Center for Community Media which is housed at the Craig Newmark Graduate School of Journalism at CUNY.

Speakers

April Ryan, the only Black female reporter covering urban issues from the White House, is the longest-serving Black tenured White House Correspondent in U.S. history. She is the Washington D.C. Bureau Chief and Senior White House Reporter for The Black Press USA, and regularly appears on MSNBC. April has been featured in top magazines and served on the board of the White House Correspondents’ Association. She has earned numerous awards, including the NAACP Image Award. A Baltimore native and Morgan State University graduate, she mentors aspiring journalists and is the author of several books on race relations and democracy. 

 Brandon Nightingale is a historian and the Black Press Archives digitization project manager at the Moorland Spingarn Research Center at Howard University. Brandon’s project: to research and document the history of the Black press. The Black Press Archive was started at Howard in 1973, donated by the National Newspaper Publishers Association. The Jonathan Logan Family Foundation has gifted the Archive $2 million to digitize the historic collection. 

Dr. Allissa V. Richardson is an associate professor of journalism at USC Annenberg, and the founder of the Charlotta Bass Journalism & Justice Lab. She researches how African Americans use mobile and social media to produce innovative forms of journalism — especially in times of crisis. Richardson is the author of “Bearing Witness While Black: African Americans, Smartphones and the New Protest #Journalism” (Oxford University Press, 2020). The award-winning book explores the lives of 15 mobile journalist-activists who have documented the Black Lives Matter movement using only mobile and social media. 

Savannah Wood, an artist with roots in Baltimore and Los Angeles, is the Executive Director of Afro Charities, where she leads efforts to increase access to the AFRO American Newspapers’ archives. She has guided the organization through growth, initiated new programming, and attracted support from national funders. Wood graduated cum laude from the University of Southern California and is a 2024/2025 Johns Hopkins University Tabb Center Humanities Fellow. She lives and works in Baltimore, Maryland, sharing and preserving Black stories. 

Anshantia “Tia” Oso, is a culture strategist, activist and speaker who uses the power of art and culture to enact change. She currently serves as the Senior Director of Media 2070. Tia has organized for over 12 years leading successful campaigns to mobilize thousands of advocates on issues ranging from migrant rights to racial justice to public arts policy. Her work is rooted in the legacies of Black organizing and ancestral resistance and inspired by Afrofuturist visions.  

Venneikia Williams, Media 2070 Campaign Manager, supports the Media 2070 team in the design and successful implementation of the project. She led the development of and taught a course on media reparations at Colorado College, was a featured speaker at the 2023 Decolonizing Wealth Conference, and serves on the Narrative Reparations Table convened by Liberation Ventures. She holds a Bachelor of Arts in Sociology from UNC Chapel Hill and a Master of Divinity degree from Covenant Theological Seminary. 

Diamond Hardiman, Director of Reparative Narrative and Creative Strategy, supports Media 2070’s reparative journalism work and cultural strategy campaigns. Previously, Diamond supported Free Press’ News Voices project, where she focused on facilitating Black and Latinx communities in transforming media in Colorado. A graduate of Saint Louis University, Diamond is now leading the development of a community-rooted reparative journalism model.  

If you are a part of the community media sector or a supporter, and were forwarded this invite, sign up for our mailing list to find out about upcoming CCM events and trainings.